1841-1919
Pierre-Auguste Renoir was a famous French painter whose paintings
are probably the most popular, well-recognized, and frequently
reproduced images in the history of art. His work presents a vision of
a forgotten world, full of sparkling color and light. He once said: “Why
shouldn’t art be pretty? There are enough unpleasant things in the
world.”
Born at Limoges on February 25, 1841, Renoir died at Cagnes-sur-
Mer on December 17, 1919. When he was 13, Renoir entered a Paris
porcelain painter's workshop as an apprentice and developed a fine
brush technique and a facility with color. At 21 he attended courses at
the Ecole des Beaux-Arts and subsequently at Glyre's. He made
friends with Cezanne, Pissarro, Sisley, Monet, Bazille and Diaz. In
1873, the artists Durand Ruel, Caillebotte and Duret took an interest
in his work. Renoir was involved in “The Society of Painters,
Engravers and Sculptors,” which was founded in 1874, and witnessed
the birth of Impressionism. There, Renoir was immersed in the canons
of Impressionism and was able to spend time with his fellow artists of
the day.
He did not take up original printmaking until he was 50 years old, first
with two small soft-ground etchings after his painting “The Rustic
Ball”, followed by an etching of a Venus for the frontispiece of
Mallarme's “Pages”. Most of his engravings were done after his own
pictures. In 1892 he did his first lithograph, a portrait of his son Pierre.
In 1894 he met Ambroise Vollard who played an important part in the
production of Renoir's and Cezanne's lithographs and etchings.
Renoir preferred lithography to engraving on copper, and Vollard
encouraged him to keep creating original graphic works. The results
were The Pinned Hat; Twelve Lithographs (the Vollard Suite); Mlle
Dieterle; portraits of Cezanne, Wagner and Rodin; and likenesses of
his sons Jean and Claude. About 1912, Renoir's rheumatism became
aggravated to the point where he was forced to forego engraving and
had to tie a brush to his hand so that he could paint right up to the
day of his death.
Pierre-Auguste Renoir was a famous French painter whose paintings
are probably the most popular, well-recognized, and frequently
reproduced images in the history of art. His work presents a vision of
a forgotten world, full of sparkling color and light. He once said: “Why
shouldn’t art be pretty? There are enough unpleasant things in the
world.”
Born at Limoges on February 25, 1841, Renoir died at Cagnes-sur-
Mer on December 17, 1919. When he was 13, Renoir entered a Paris
porcelain painter's workshop as an apprentice and developed a fine
brush technique and a facility with color. At 21 he attended courses at
the Ecole des Beaux-Arts and subsequently at Glyre's. He made
friends with Cezanne, Pissarro, Sisley, Monet, Bazille and Diaz. In
1873, the artists Durand Ruel, Caillebotte and Duret took an interest
in his work. Renoir was involved in “The Society of Painters,
Engravers and Sculptors,” which was founded in 1874, and witnessed
the birth of Impressionism. There, Renoir was immersed in the canons
of Impressionism and was able to spend time with his fellow artists of
the day.
He did not take up original printmaking until he was 50 years old, first
with two small soft-ground etchings after his painting “The Rustic
Ball”, followed by an etching of a Venus for the frontispiece of
Mallarme's “Pages”. Most of his engravings were done after his own
pictures. In 1892 he did his first lithograph, a portrait of his son Pierre.
In 1894 he met Ambroise Vollard who played an important part in the
production of Renoir's and Cezanne's lithographs and etchings.
Renoir preferred lithography to engraving on copper, and Vollard
encouraged him to keep creating original graphic works. The results
were The Pinned Hat; Twelve Lithographs (the Vollard Suite); Mlle
Dieterle; portraits of Cezanne, Wagner and Rodin; and likenesses of
his sons Jean and Claude. About 1912, Renoir's rheumatism became
aggravated to the point where he was forced to forego engraving and
had to tie a brush to his hand so that he could paint right up to the
day of his death.
Pierre-Auguste Renoir
